Theoretical Studies in Literature and Art ›› 2013, Vol. 33 ›› Issue (1): 28-38.
• Overseas Studies of Modern Chinese Literature • Previous Articles Next Articles
Yingjin Zhang
Online:
2013-01-25
Published:
2013-02-20
About author:
Yingjin Zhang is a Visiting Chair Professor at Shanghai Jiaotong University and Professor of Literature at University of California, San Diego. His research covers literature, film, urban culture, and cultural history, and he has published ten English books, nine Chinese books, and over 150 research articles.
Yingjin Zhang. Literary Debates and Paradigm Shifts in Overseas Studies of Modern Chinese Literature[J]. Theoretical Studies in Literature and Art, 2013, 33(1): 28-38.
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T.. “Commentary: Eileen Chang, Lu Xun, etc.” Reading Eileen Chang Again. Eds. Joseph Lau, P. K. Leung, and Xu Zidong. Ji’nan: Shandong Pictorial Press, 2004. 61-65.]Zhang, Longxi. “Western Theory and Chinese Reality.” Critical Inquiry 19 (1992): 105-30. ---. “Out of the Cultural Ghetto: Theory, Politics, and the Study of Chinese Literature.” Modern China 19.1 (1993): 71-101. 张隆溪:“再论政治、理论与中国文学研究——答刘康”,《二十一世纪》 20 (1993):138-43。[Zhang, Longxi. “Revisiting Politics, Theory, and Chinese Literary Study: A Response to Liu Kang.” Twenty-First Century 20 (1993): 138-43.]Zhang, Yingjin. “Re-envisioning the Institution of Chinese Literary Studies: Strategies of Positionality and Self-Reflexivity.” Positions 1.3 (1993): 816-32. ——. “Review of Shu-mei Shih, Visuality and Identity: Sinophone Articulations across the Pacific.” Journal of Asian Studies 68.1 (2009): 280-82.张英进:《审视中国:从学科史的角度观察中国电影与文学研究》。南京:南京大学出版社,2006年。[Zhang, Yingjin. China in Focus: Studies of Chinese Cinema and Literature in the Perspective of Academic History. Nanjing: Nanjing University Press, 2006.]——:“鲁迅……张爱玲:中国现代文学研究的流变”,《作家》 7(2009): 2-9。[---. “Lu Xun … Eileen Chang: Changes in Modern Chinese Literature Studies.” Writer 7 (2009): 2-9.]——:“历史整体性的消失与重构:中西方文学史的编撰与现当代中国文学”,《文艺争鸣》 1(2010): 66-78。[---. “Historical Totality Vanished and Reconstructed: Chinese and Western Literary Historiography and Modern Chinese Literature.” Literary Contention 1 (2010): 66-78.]——:“全球化与中国电影的空间”,《文艺研究》 7(2010): 85-93。[---. “Globalization and Space in Chinese Cinema.” Literature and Arts Studies 7 (2010): 85-93.]——:“游戏于历史之外:第三空间的理论与金庸小说的意义”,朱寿桐编《金庸与汉语新文学》。澳门:澳门大学出版中心,2011年。73-87页。[---. “Play Outside History: Theory of Third Space and the Significance of Jin Yong’s Fiction.” Jin Yong and New Literature in Chinese Ed. Zhu Shoutong. Macau: University of Macau Publishing Center, 2011. 73-87.]——:《多元中国:电影与文化论文集》。南京:南京大学出版社,2012年。[---. Polycentric China: Essays in Cinema and Culture. Nanjing: Nanjing University Press, 2012.]——:“民族、国家与跨地性:反思中国电影研究中的理论架构”,《南京师范大学文学院学报》 5(2012):1-9。[---. “Ethnicity, Nation, and Polylocality: Reflections on Theory in Chinese Film Studies.” Journal of School of Chinese Language and Culture, Nanjing Normal University 5 (2012): 1-9.]——:“从反文典到后文典时期的超文典:作为文本和神话的张爱玲”,《当代作家评论》 6(2012):37-49。[---. “From Counter-canon to Hypercanon in a Post-canonical Age: Eileen Chang as Text and Myth.” Contemporary Chinese Writer 6 (2012): 37-49.]郑树森:“夏公与‘张学’”,《再读张爱玲》,刘绍铭、梁秉均、许子东编。济南:山东画报出版社,2004年。3-6。[Tay, William. “Sir Hsia and ‘Eileen Chang Studies’.” Reading Eileen Chang Again. Eds. Joseph Lau, P. K. Leung, and Xu Zidong. Ji’nan: Shandong Pictorial Press, 2004. 3-6.] |
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