Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2017, Vol. 37 ›› Issue (5): 63-75.

• Classical Literary Theory and Criticism • Previous Articles     Next Articles

The Play-text Forms of Early Zaju and Narrative Sanqu in the Jin and Yuan Dynasties

Xu Dajun   

  1. School of Humanities at Hangzhou Normal University
  • Online:2017-09-25 Published:2018-10-17
  • About author:Xu Dajun, Ph.D., is a professor in the School of Humanities at Hangzhou Normal University, with research focus on classical Chinese drama and fiction.
  • Supported by:
    the National Social Science Fund for Major Project (No. 15ZDB074) and the National Social Science Fund (No. 14BZW066).

Abstract: The setting of the recitative protagonist is the core of Sanqu's narrative in the Jin and Yuan Dynasties, who is a firstperson narrator undertaking responsibility for chanting the progression of story with his vision and position. Similarly, the leading singer (Zhengmo or Zhengdan) of Zaju is also a first-person protagonist who undertakes responsibility for chanting the whole librettos of a play-text, so he should be a recitative protagonist of librettos of Zaju. With a comparison of the librettos of Zaju's text attribute and the play-text forms with those of narrative Sanqu, we find that the play-texts of early Zaju have the same text form as the joint-structure narrative Sanqu, which is an inheritance from the written Zajuci that appeared in the Song Dynasty.

Key words: narrative Sanqu, librettos of Zaju, recitative protagonist, the lead singer, play-text of early Zaju