Welcome to Theoretical Studies in Literature and Art,
Theoretical Studies in Literature and Art ›› 2017, Vol. 37 ›› Issue (3): 95-108.
• Classical Literary Theory and Criticism • Previous Articles Next Articles
Jiang Ronggang
Online:2017-05-25
Published:2018-01-24
About author:Jiang Ronggang, Ph.D., is an associate professor at the College of Literature and Media, Xuchang University (Xuchang 461000, China). He academic interests are the transformation of modern Chinese Literature and the theories of literature and art.
Jiang Ronggang. The Origination of "Zhong Zhuo Da" from Calligraphy Critique: the Cultural and Literary Historical Background of the Turn of Ci-poetry Criticism in the late Qing Dynasty[J]. Theoretical Studies in Literature and Art, 2017, 37(3): 95-108.
| 包世臣:《艺舟双楫》。北京:北京市中国书店,1983年。[Bao,Shichen.Double Oars for the Boat of Arts.Beijing:Chinese Publishing House,1983.] 曹济平:“唐圭璋先生对词学的贡献”,《文学遗产》2(1992):95-100。[Cao,Jiping.“Tang Guizhang's Contribution to Ci-Poetry Theory.”Literary Heritage 2(1992):95-100.] 蔡嵩云:“柯亭词论”,《词话丛编》第5册,唐圭璋编。北京:中华书局,2005年。[Cai,Songyun.“Ci-Poetry Commentaries from Keting Studio.”A Collection of Commentaries on Ci-Poetry.Vol.5.Ed.Tang Guizhang.Beijing:Zhonghua Book Company,2005.] 陈匪石:“宋词赏心录跋”,《词话丛编补编》第5册,葛渭君编。北京:中华书局,2013年。[Chen,Feishi.“Postscript to the Commentary Annotations to Appreciation of Song-Dynasty Ci-Poems.”Supplement to the Collection of Commentaries on Ci-Poetry.Vol.5.Ed.Ge Weijun.Beijing:Zhonghua Book Company,2013.] ---:《宋词举》。南京:金陵书画社,1983年。[---.Examples of Song-Dyansty Ci-Poems.Nanjing:Jinling Calligraphy and Painting Publishing House,1983.] 陈良玉:“随山馆词稿序”,《清词序跋汇编》第3册,冯乾编校。南京:凤凰出版社,2013年。[Chen,Liangyu.“Introductory Essay on the Collection of CiPoetry from Sui Shan Guan Studio.”Collected Prefaces and Postscripts to the Qing Ci-Poetry.Vol.3.Ed.Feng Qian.Nanjing:Phoenix Publishing House,2013.] 陈水云:《清代词学发展史论》。北京:学苑出版社,2005年。[Chen,Shuiyun.A History of Ci-Poetry Theory Development in the Qing Dynasty.Beijing:Xueyuan Publishing House,2005.] 陈奕禧:《绿阴亭集》,《清代诗文集汇编》第173册。上海:上海古籍出版社,2010年。[Chen,Yixi.Collections of Writings from Green Shade Pavilion Studio.Collected Writings from the Qing Dynasty.Vol.173.Shanghai:Shanghai Ancient Books Publishing House,2010.] 窦臮:“述书赋下”,《全唐文》第5册,董诰等编。北京:中华书局,2001年。[Dou,Ji.“Comments on Calligraphy.”Vol.2.The Complete Literary Prose from Tang Dynasty.Vol.5.Ed.Dong Hao et al..Beijing:Zhonghua Book Company,2001.] 邓乔彬:“况周颐‘重、拙、大’说析论”,《中国韵文学刊》6(1992):62-72。[Deng,Qiaobin.“A Study of the Ci-Poetry Theory of Kuang Zhouyi's‘Zhong Zhuo Da’.”Journal of Chinese verse Studies 6(1992):62-72.] 傅山:《霜红龛集》,《清代诗文集汇编》第25册。上海:上海古籍出版社,2010年。[Fu,Shan.Collected Writings from Cream Red Niche.Collected Writings from the Qing Dynasty.Vol.25.Shanghai:Shanghai Ancient Books Publishing 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刘恒:《中国书法史·清代卷》。南京:江苏教育出版社,2015年。[Liu,Heng.A History of Chinese Calligraphy in the Qing Dynasty.Nanjing:Jiangsu Education Publishing House,2015.] 刘熙载:《艺概注稿》下册,袁津琥校注。北京:中华书局,2010年。[Liu,Xizai.Annotated General Principles of Art.Vol.2.Annotated.Yuan Jinhu.Beijing:Zhonghua Book Company,2010.] 龙榆生:“答张孟劬先生”,《龙榆生词学论文集》。上海:上海古籍出版社,2009年。[Long,Yusheng.“A Letter in Reply to Zhang Mengqu.”Collected Essays on Ci-Poetry by Long Yusheng.Shanghai:Shanghai Ancient Books Publishing House,2009.] 卢前:“饮虹簃论清词百家”,《清名家词》第十卷,陈乃乾辑。上海:上海书店,1982年。[Lu,Qian.“A Commentary of one Hundred Ci-Poets'CiPoems from Qing Dynasty from Yin Hong Yi Studio.”Famous Ci-Poets from the Qing Dynasty.Vol.10.Ed.Chen Naiqian.Shanghai:Shanghai Bookstore,1982.] 雒三桂:《中国书法史》。北京:人民美术出版社,2009年。[Luo,Sangui.A History of Chinese Calligraphy.Beijing:People's Fine Arts Publishing House,2009.] 马宗霍:《书林藻鉴书林记事》。北京:文物出版社,1984年。[Ma,Zonghuo.Calligraphy Criticism and Record.Beijing:Cultural Relics Publishing House,1984.] 莫云卿:“评书”,《中国古代书论类编》,万宝、黄君编著。合肥:安徽教育出版社,2009年。[Mo,Yunqing.“Calligraphy Commentary.”A Collection of Chinese Ancient Calligraphy Series.Ed.Mao Wanbao and Huang Jun.Hefei:Anhui Education Publishing House,2009.] 潘运告编著:《汉魏六朝书画论》。长沙:湖南美术出版社,1997年。[Pan,Yungao,ed.A Collection of Commentaries on Calligraphy and painting in the Han,Wei and Six Dynasties.Changsha:Hunan Fine Arts Publishing House,1997.] 钱泳:《履园丛话》上册,张伟点校。北京:中华书局,1997年。[Qian,Yong.Collected Writings from LuY uan.Vol.1.Collated.Zhang Wei.Beijing:Zhonghua Book Company,1997.] 阮元:《揅经室集》,邓经元点校。北京:中华书局,2006年。[Ruan,Yuan.A Collection of Writings from Yanjing Studio.Punctuated.Deng Jingyuan.Beijing:Zhonghua Book Company,2006.] 商衍鎏:《清代科举考试述录》。北京:故宫出版社,2014年。[Shang,Yanliu.A Study of the Imperial Examinations in the Qing Dynasty.Beijing:Imperial Palace Publishing House,2014.] 舍我:“天问庐词话”,《词话丛编续编》第4册,朱崇才编纂。北京:人民文学出版社,2010年。[She,Wo.“A Ci-Poetry Commentaries from Tian Wen Lu Studio.”A Sequel to the Series of Collected Ci-Poetry Commentaries.Vol.4.Ed.Zhu Chongcai.Beijing:People's Literature Publishing House,2010.] 苏利海:“‘重拙大’新议”,《文艺理论研究》4(2011):81-85。[Su,Lihai.“A New Study of‘Zhong zhuo Da’.”Theoretical Studies in Literature and Art 4(2011):81-85.] 孙克强:“以梦窗词转移一代风会---晚清四大家推尊吴文英的词学主张及意义”,《河南大学学报》4(2007):1-7。[Sun,Keqiang.“Mengchuang Ci Changed the Style:the Significance of the Canonization of Wu Wen-ying's Ci Theory by the Four Masters in the Late Qing Dynasty.”Journal of Henan University 4(2007):1-7.] ---:“晚清四大家词学集大成论”,《文艺理论研究》3(2006):109-16。[---.“On the Synthesizer Status of Four Masters'Ci-Poetry Theory in the Late Qing Dynasty.”Theoretical Studies in Literature and Art 3(2006):109-16.] ---:《清代词学》。北京:中国社会科学出版社,2004年。[---.The Study of Ci-Poetry in the Qing Dynasty.Beijing:China Social Sciences Publishing House,2004.] 孙维城:“重拙大:桂派词学审美基本标准---况周颐词论研究之一”,《安庆师范学院学报》1(1989):69-75。[Sun,Weicheng.“Zhong Zhuo Da:the Basic Aesthetic Standard of the Lingui School of Ci-Poetry:Studies of Kuang Zhouyi's Ci-Poetry Theory(I).”Journal ofAnqing Normal University 1(1989):69-75.] ---:“清季四大词人词学取向与重拙大之关系”,《文学评论》5(2007):169-74。[---.“The relationship between the trends of Four Masters'Ci-Poetry Theory in the Late Qing Dynasty and‘Zhong Zhuo Da’.”Literary Review 5(2007):169-74.] 谭献:“重辑复堂词话”,《词话丛编补编》第2册,葛渭君编。北京:中华书局,2013年。[Tan,Xian.“Re-collection of Ci-Poetry Commentaries from Fu Tang.”Supplementary to the Collection of Commentaries on Ci-Poetry.Vol.2.Ed.Ge Weijun.Beijing:Zhonghua Book Company,2013.] ---:“复堂词话”,《词话丛编》第4册,唐圭璋编。北京:中华书局,2005年。[---.“Ci-Poetry Commentaries from Fu Tang.”A Collection of Commentaries on Ci-Poetry.Vol.4.Ed.Tang Guizhang.Beijing:Zhonghua Book Company,2005.] 王鹏运:“彊村词原序”,《清词序跋汇编》第4册,冯乾编校。南京:凤凰出版社,2013年。[Wang,Pengyun.“Preface to Ci-Poetry from Jiangcun.”Collected Preface and Postscript to the Qing Ci-Poetry.Vol.4.Ed.Feng Qian.Nanjing:Phoenix Publishing House,2013.] 王水照:“况周颐与王国维:不同的审美范式”,《文学遗产》2(2008):4-16。[Wang,Shuizhao.“Kuang Zhouyi and Wang Guowei:Different Aesthetic Paradigms.”Literary Heritage 2(2008):4-16.] 吴宏一:《清代词学四论》。台北:联经事业出版公司,1990年。[Wu,Hongyi.Four Treatises on Ci-Poetics in the Qing Dynasty.Taipei:Linking Publishing Company,1990.] 夏静观:“蕙风词话诠评”,《词话丛编》第5册,唐圭璋编。北京:中华书局,2005年。[Xia,Jingguan.“A commentary of Ci-Poetry Commentaries from Huifeng Studio.”A Collection of Commentaries on Ci-Poetry.Vol.5.Ed.Tang Guizhang.Beijing:Zhonghua Book Company,2005.] 项穆:《书法雅言》。北京:中华书局,1985年。[Xiang,Mu.A Commentaries of Calligraphy(Shu Fa Ya Yan).Beijing:Zhonghua Book Company,1985.] 谢章铤:“赌棋山庄词话续编”,《词话丛编》第4册,唐圭璋编。北京:中华书局,2005年。[Xie,Zhangting.“Ci-Poetry Commentaries from the ChessBetting Villa the Second Sequel.”A Collection of Commentaries on Ci-Poetry.Vol.4.Ed.Tang Guizhang.Beijing:Zhonghua Book Company,2005.] 宣雨苍:“词谰”,《词话丛编续编》第4册,朱崇才编纂。北京:人民文学出版社,2010年。[Xuan,Yucang.“A Collection of False Commentaries on Cipoetry.”A Sequel to the Series of Collected Ci-Poetry Commentaries.Vol.4.Ed.Zhu Chongcai.Beijing:People's Literature Publishing House,2010.] 赵尊岳:“《蕙风词话》跋”,《蕙风词话广蕙风词话》附录一,孙克强辑考。郑州:中州古籍出版社,2003年。[Zhao,Zunyue.“Postscript to Ci-Poetry Commentaries from Huifeng Studio.”Commentaries on Ci-Poems of Huifeng and Guang Huifeng.Ed.Sun Keqiang.Zhengzhou:Zhongzhou Ancient Book Publishing House,2003.] 郑文焯:“与张孟劬书”,《绝妙好词校录》附录三“大鹤山人遗札”,《词话丛编补编》第5册,葛渭君编。北京:中华书局,2013年。[Zheng,Wenzhuo.“A letter to Zhang Mengqu.”“Posthumous letters by Great Crane Hermit.”Zheng Wenzhuo.Proofread Wonderful good Ci-poetry.Supplement to the Collection of Commentaries on CiPoetry.Vol.5.Ed.Ge Weijun.Beijing:Zhonghua Book Company,2013.] 《中国书法发展史》,中国教育学会书法教育专业委员会编。天津:天津古籍出版社,2009年。[The Development History of Chinese Calligraphy.Ed.Chinese Education Association Calligraphy Education Specialized Committee.Tianjin:Tianjin Ancient Books Publishing House,2009.] 周济:“介存斋论词杂著”,《词话丛编》第2册,唐圭璋编。北京:中华书局,2005年。[Zhou,Ji.“Commentaries on Ci-Poetry from Jiecui Studio.”A Collection of Commentaries on Ci-Poetry.Vol.2.Ed.Tang Guizhang.Beijing:Zhonghua Book Company,2005.] ---:“宋四家词选目录序论”,《词话丛编》第2册,唐圭璋编。北京:中华书局,2005年。[---.“Introductory Essay on the Collected Ci-Poems from Four Poets in Song Dynasty.”A Collection of Commentaries on Ci-Poetry.Vol.2.Ed.Tang Guizhang.Beijing:Zhonghua Book Company,2005.] 朱孝臧:“守白词乙稿跋”,《清词序跋汇编》第4册,冯乾编校。南京:凤凰出版社,2013年。[Zhu,Xiaozang.“Postscript to the Second Collection of Cipoetry from Shoubai.”Collected Preface and Postscript to the Qing Ci-Poetry.Vol.4.Ed.Feng Qian.Nanjing:Phoenix Publishing House,2013.] (1)参见苏利海:“‘重拙大’新议”(《文艺理论研究》4(2011):81-85)关于“重拙大”内涵阐释的学术史梳理。 (2)刘红麟曾引用蔡嵩云对“重拙大”的解释,并认为“基本能概括王鹏运重拙大之旨”,惜未发挥蔡氏将其与碑学联系起来的观点。参见刘红麟《晚清四大词人研究》(长沙:湖南师范大学出版社,2012年),第34页。 (3)这一点与词学的使用与阐释情况略同,如孙克强:《况周颐“重、拙、大”新论》一文中说:“对于‘重、拙、大’的内涵,《蕙风词话》正续编中已有所解释,但详略不同,如释‘重、拙’较详,而释‘大’较略”。参见《中国韵文学刊》2(2003):91-95。 (4)关于临桂词派的形成与词学主张可参巨传友《清代临桂词派研究》(上海:上海古籍出版社,2008年)的相关论述。 (5)清词研究专家严迪昌在《清词流派述要》一文种就说:“‘桂派’的词学观,渊源仍在‘常州词派’,是‘常派’的余波一脉”。参见王步高编《金元明清词鉴赏辞典》附录(南京:南京大学出版社,1989年),第1 388页。 (6)陈水云在《清代词学发展史论》(北京:学苑出版社,2005年,第247页)中说谭献对词创作技巧提出的两点要求之一便是“运笔多样化,或平起(正笔),或重笔,或逆入平出(侧笔)”。 (7)华人德在《中国书法史·两汉卷》(南京:江苏教育出版社,1999年)中说:“清代碑学派书家用笔多主张逆入平出,即是隶书笔法”。参见第155页。 (8)参见彭玉平:“晚清‘重拙大’词学思想溯源---端木埰《宋词赏心录》探论”,《学术研究》8(2004):127-31。 (9)赵尊岳《〈蕙风词话〉跋》就称况周颐言词境“其造极者曰穆”。参见况周颐著、孙克强辑考《蕙风词话广蕙风词话》附录一(郑州:中州古籍出版社,2003年),第452页。 (10)据龙榆生《今日学词应取之途径》转述朱祖谋语,《龙榆生词学论文集》(上海:上海古籍出版社,2009年),第115页。 (11)孙维城在“重拙大:桂派词学审美基本标准---况周颐词论研究之一”一文说:“可知‘意厚’云云,乃在意多”,是颇为准确的观点。参见《安庆师范学院学报》1(1989):69-76。 (12)孙维城将况周颐的“重”视为“气格”,并认为它与明清的“格调”说、先秦汉魏的“文气”说存在渊源关系,即为显例。参见孙维城:“重拙大:桂派词学审美基本标准---况周颐词论研究之一”,《安庆师范学院学报》1(1989):69-76。 |
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