| “巴乌”:“说两句‘白牡丹’”,新浪博客,2008年8月8日,2017年1月9日〈http://blog.sina.com.cn/s/blog_7024f5b30100oa3a.html〉。[Bawu.“Commentaries on Bai's The Peony Pavilion.”blog.sina.com.cn.8 Aug.2008.〈http://blog.sina.com.cn/s/blog_7024f5b30100oa3a.html〉.Retrieved on Jan.9,2017.] 陈多:《戏曲美学》。成都:四川人民出版社,2001年。[Cheng,Duo.The Aesthetics of Xiqu.Chengdu:Sichuan People's Press,2001.] 陈怡蓁:“白先勇的昆曲新美学---从《牡丹亭》到《玉簪记》”,《云心水心玉簪记:琴曲书画昆曲新美学》,白先勇总策划。北京:人民文学出版社,2011年。8-17。[Chen,Yizhen.“Pai Hsien-yung's New Aesthetics of Kunqu Opera:From The Peony Pavilion to The Story of Jade Hairpin.”Cloud&Water Heart of The Story of Jade Hairpin:New Aesthetics of Guqin,Kunqu,Calligraphy and Painting.Ed.Bai,Xianyong.Beijing:People's Literature Press,2011.8-17.] “南北昆”:“To be continued?Be in continuing!”,豆瓣,11Mar.2010〈https://www.douban.com/group/topic/10249562/〉。[Nanbeikun.“To be continued?Be in continuing!”,douban.com.11 Mar.2010〈https://www.douban.com/group/topic/10249562/〉.Retrived on Jan.9,2017.] ---:“白先生对昆曲的传播是有功的”,豆瓣,12 Jun.2010〈https://m.douban.com/group/topic/11903151/〉。[---.“Mr.Pai makes Contribution to Spreading of Kunqu Opera.”douban.com.12 Jun.2010〈https://m.douban.com/group/topic/11903151/〉.Retrieved on Jan.9,2017] 白先勇:“昆曲的美学价值”,《云心水心玉簪记:琴曲书画昆曲新美学》,白先勇总策划。北京:人民文学出版社,2011年。146-54。[Pai,Hsien-yung.“The Aesthetic Value of Kunqu Opera.”Cloud&Water Heart of The Story of Jade Hairpin:New Aesthetics of Guqin,Kunqu,Calligraphy and Painting.Ed.Pai,Hsien-yung.Beijing:People's Literature Press,2011.] ---:“琴曲书画---新版《玉簪记》的制作方向”,《云心水心玉簪记:琴曲书画昆曲新美学》,白先勇总策划。北京:人民文学出版社,2011年。4-6。[---.“Guqin,Kunqu,Calligraphy and Painting:The Making of New Version of The Story of Jade Hairpin.”Cloud&Water Heart of The Story of Jade Hairpin:New Aesthetics of Guqin,Kunqu,Calligraphy and Painting.Ed.Pai,Hsien-yung.Beijing:People's Literature Press,2011.] ---:“昆曲新美学---从青春版《牡丹亭》到新版《玉簪记》”,《艺术评论》,3(2010):5-9。[---.“New Aesthetics of Kunqu Opera:From the Youth Version of The Peony Pavilion to the New Version of The Story of Jade Hairpin.”Arts Criticism 3(2010):5-9.] ---:“昆曲的新美学(上)”,《文史知识》,(1)2014:101-108。[---.“New Aesthetics of Kunqu Opera(I).”Chinese Literature and History 1(2014):101-108.] ---:“昆曲的新美学(下)”,《文史知识》,3(2014):84-88。[---.“New Aesthetics of Kunqu Opera(II).”Chinese Literature and History 3(2014):84-88.] 郑培凯主编,《普天下有情谁是咱---汪世瑜谈青春版〈牡丹亭〉的创作》。北京:北京大学出版社,2013年。[Zheng,Peikai,ed.Who is More Affectionate than Us:Wang Shiyu on the Making of the Youth Version of The Peony Pavilion.Beijing:Peking University Press,2013.] 翁国生:“玲珑雅致情真意切---打造充满佛韵和人文意境的昆曲新经典”,《云心水心玉簪记:琴曲书画昆曲新美学》,白先勇总策划。北京:人民文学出版社,2011年。236-45。[Weng,Guosheng.“Elegant and True Feelings:Creating New Kunqu Opera Classics Full of Buddhist and Humanistic Conceptions.”Cloud&Water Heart of The Story of Jade Hairpin:New Aesthetics of Guqin,Kunqu,Calligraphy and Painting.Ed.Pai,Hsien-yung.Beijing:People's Literature Press,2011.236-45.] 吴新雷白先勇:“中国和美国:全球化时代昆曲的发展”,《文艺研究》3(2007):86-99。[Wu,Xinlei,and Pai Hsien-yung.“China and America:The Development of Kunqu Opera at a time Time of Globalization.”Literature and Art Studies 3(2007):86-99.] 张淑香:“新版《玉簪记》的创意---圣俗色空的辩证”,《云心水心玉簪记:琴曲书画昆曲新美学》,白先勇总策划。北京:人民文学出版社,2011年。162-68。[Zhang,Shuxiang.“The Creativity of the New Version of The Story of Jade Hairpin:An Examination of Holiness,the Secularity,Form and Emptiness.”Cloud&Water Heart of The Story of Jade Hairpin:New Aesthetics of Guqin,Kunqu,Calligraphy and Painting.Ed.Pai,Hsien-yung.Beijing:People's Literature Press,2011.162-68.] 朱恒夫:《昆曲美学纲要》。上海:上海文化出版社,2014年。[Zhu,Hengfu.An Outline of the Aesthetics of Kunqu Opera.Shanghai:Shanghai Culture Press,2014.] (1)关于青春版《牡丹亭》的音乐创作,参见周友良:《青春版〈牡丹亭〉音乐写作构想》,载朱栋霖主编《苏州文艺评论·2008》(南京:江苏教育出版社,2008年),或见豆瓣〈https://www.douban.com/note/266279943/〉。 (2)关于昆曲(剧)传统的论述,参见笔者拙文:《昆剧传统略论》,《上海戏剧》2016年第1期。 |
