Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2016, Vol. 36 ›› Issue (4): 111-121.

• Classical Literary Theory and Criticism • Previous Articles     Next Articles

The "Drama-embedded Mode" of Popular Novels of the Ming and the Qing Dynasties

Li Pengfei   

  1. the department of Chinese linguistics and literature, Peking University (Beijing 100871, China)
  • Online:2016-07-25 Published:2017-09-29
  • About author:Li Pengfei is an associate professor at the department of Chinese linguistics and literature, Peking University (Beijing 100871, China). His area of academic specialty is ancient Chinese fiction.

Abstract: The "drama-inserted mode" of the novel refers to the insertion of drama stories, diction, and other elements into the plot or the narration of the novel. In this way, these dramatic elements can be connected with the plot, the narration, or the theme of the novel, thus creating a unique aesthetic effect. The "drama-inserted mode", which can be seen as one of the "layer structures", is not only the narrative method of the novel, just like analogy, intermingled plots and repeated relation, but also the narrative structure of the novel. This skill has been frequently usedin the the world history of the novel. In ancient Chinese novels, it was generally used in the popular fiction of the Ming and the Qing dynasties, which is a vital phenomenon in the history of the novel and deserves more research.

Key words: popular novels of the Ming and the Qing dynasties, drama-embedded mode, play–in–a–play, analogy, interconnection