Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2015, Vol. 35 ›› Issue (3): 61-68.

• Modern and Contemporary Literary Theory and Criticism • Previous Articles     Next Articles

Moé: Soft Politics in Contemporary Visual Culture

Wu Ming
  

  1. the School of Communication, East China Normal University (Shanghai 200241, China)
  • Online:2015-05-25 Published:2015-07-10
  • About author:Wu Ming, Ph.D., is an assistant professor in the School of Communication, East China Normal University (Shanghai 200241, China), with main research interest in visual culture and children's culture.

Abstract: Moé is a word frequently appearing in Chinese pop culture vocabulary in recent years, but its semantics and usage require clarification. Moé, which was borrowed from Japan, has broken the boundary of anime subculture and become a buzzword in mass media. The visuality of moé pertains some typical postmodern traits such like entertainment and flattening. Faux-moé has an extensive popularity that accelerates the confusion between the right and the wrong, the good and the evil. A moé object, constructed by a faux-moé player, could impose soft control and systematic violence to the persons who patronizes it. In this sense, moé can be considered to a display of deceptive visual politics in contemporary society.

Key words: moé, visual culture, faux-moé, politics