Anderson, William. The Pictorial Arts of Japan: With a Brief Historical Sketch of the Associated Arts, and Some Remarks upon the Pictorial Art of the Chinese and Koreans. London: Sampson Low, Marston, Searle & Rivington, 1886.亚里士多德:《诗学》,罗念生译。上海:上海人民出版社,2006年。[Aristotle. Poetics. Trans. Luo Niansheng. Shanghai: Shanghai People’s Publishing House, 2006.]罗兰·巴特:《明室:摄影纵横谈》,赵克非译。北京:文化艺术出版社,2002年。[Barthes, Roland. La Chambre Claire. Trans. Zhao Kefei. Beijing: Culture and Art Publishing House, 2002.]维斯特兰娜·博伊姆 :《怀旧的未来》,杨德友译。南京:译林出版社,2010年。[Boym, Svetlana. The Future of Nostalgia. Trans. Yang Deyou. Nanjing: Yilin Publishing House, 2010.]陈士珂辑:《孔子家语疏证》。上海:上海书店,1987年。[Chen, Shike, ed. The Annotation of Confucius Homely Talks. Shanghai: Shanghai Bookstore, 1987.]Chow, Rey. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. New York: Columbia University Press, 1995.慈怡主编:《佛光大辞典》。北京:北京图书馆出版社,1989年。[Ci, Yi, ed. FGS Buddhist Dictionary. Beijing: Beijing Library Publishing House, 1989.]Conger, Sarah Pike. Letters from China. London: Hodder and Stoughton, 1909.居伊·德波:《景观社会》,王昭风译。南京:南京大学出版社,2006年。[Debord, Guy Ernest. The Society of the Spectacle. Trans. Wang Zhaofeng. Nanjing: Nanjing University Press, 2006.]Giles, Herbert A.. An Introduction to the History of Chinese Pictorial Art. Shanghai: Keloy & Walsh ld, 1905.安东尼·吉登斯:《现代性的后果》。田禾译。南京:译林出版社,2000。[Giddens, Anthony. The Consequence of Modernity. Trans. Tian He. Nanjing: Yilin Publishing House, 2000.] 贡布里希:《艺术与错觉》,范景中等译。杭州:浙江摄影出版社,1987年。[Gombrich, E. H.. Art and Illusion. Trans. Fan Jingzhong, et al. Hangzhou: Zhejiang Cinematography Publishing House, 1987.]海德格尔·马丁:《林中路》,孙兴周译。上海:上海人民出版社,2008年。[Heidegger, Martin. Off the Beaten Track. Trans. Sun Xingzhou. Shanghai: Shanghai People’s Publishing House, 2008.]Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. Trans. Alan Sheridan. New York: W. W. Norton & Company, 1981.雅克·拉康:《拉康选集》,褚孝泉译。上海:上海三联书店,2001年。[Lacan, Jacques. The Selected Works of Lacan. Trans. Chu Xiaoquan. Shanghai: Shanghai SDX Joint Publishing House, 2001.]Lefebvre, Henri. Everyday Life in the Modern World. Trans. Sacha Rabinovitch. New York: Harper & Row, 1971.McDougall, B. S., and Kam Louie. The Literature of China in the Twentieth Century. New York: Columbia University Press, 1997.Mirzoeff, Nicholas. An Introduction to Visual Culture. New York : Routledge, 2004.Panosky, E.. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. Boulder: Westview Press, 1972.钱理群等:《中国现代文学三十年》。北京:北京大学出版社,1998年。[Qian, Liqun, et al. Thirty Years of Modern Chinese Literature. Beijing: Peking University Press, 1998.]Roberts, John. Philosophizing the Everyday. London: Pluto Press, 2006.Rojas, Carlos. The Naked Gaze: Reflections on Chinese Modernity. Cambridge: Harvard University Asia Center, 2008.罗伯特·司格勒斯:《文学与符号学》,谭大立等译。沈阳:春风文艺出版社,1988年。[Scholes, Robert. Semiotics and Interpretation. Trans. Tan Dali, et al. Shenyang: Chunfeng Literature and Art Publishing Housing, 1988.]Silverman, Kaja. The Threshold to the Visible World. New York: Routledge, 1996. Shusterman, Richard. “Aesthetic Experience: From Analysis to Eros.” The Journal of Aesthetics and Art Criticism 64.2 (2006):217-29.---. “Pragmatism and East-Asian Thought.” The Range of Pragmatism and the Limits of Philosophy. Ed. Richard Shusterman. Malden: Blackwell Publishing Ltd, 2004. |