亚历山大,维多利亚·D.:《艺术社会学》,章浩沈杨译,南京:江苏美术出版社,2008。[Alexander,Victoria D. Sociology of the Arts: Exploring Fine and Popular Arts. Trans. Zhang Hao and Shen Yang. Nanjing: Jiangsu Fine Arts Publishing House,2008.]Becker, Howard. Art Worlds. Berkeley: University of California Press,2008 (1982).Bottero, Wendy, and Nick Crossley."Worlds, Fields and Networks: Becker, Bourdieu and the Structures of Social Relations." Cultural Sociology,5.1( 2011): 99-119.布迪厄:“纯粹美学的社会条件:《区隔:趣味判断的社会批判引言》”。 朱国华译,《民族艺术》 3(2002):16-22.[Bourdieu, Pierre. “Introduction.” Distinction: A Social Critique of the Judgment of Taste. Trans. Zhu Guahua. Ethnic Arts Quarterly3 (2002):16-22.]Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the literary Field. Trans. Susan Emanuel. Stanford: Stanford University Press,1995.Crane, Diana. art worlds. The Blackwell Encyclopedia of Sociology. Ed. George Ritzer. Blackwell, 2007. 177-180.DiMaggio, Paul J. “The Sociology of Art Comes of Age.” Contemporary Sociology 12.3(1983): 272-274.Eyerman, Ronald Magnus Ring. “Towards a New Sociology of Art Worlds: Bringing Meaning Back In.” Acta Sociologica 41.3 (1998): 277-283.迈克尔·菲茨杰拉德:《制造现代主义:毕加索与二十世纪艺术市场的创建》,冉凡译。桂林:广西师范大学出版社,2010.[Fitzgerald, Michael C. Making Modernism: Picasso and the Creation of the Market for Twentieth-Century Art. Trans. Ran Fan. Guilin: Guangxi Normal University Press,2010.]Fowler, Bridget. Pierre Bourdieu and Cultural Theory: Critical Investigations. London: Sage, 1997.Heinich, Nathalie. “Howard S. Becker’s Art Worlds Revisited.” Boekmancahier 44 (2000): 200-202.匡骁:“文化社会学视角下的艺术体制理论”,《文艺理论研究》6(2012):101-107。[Kuang. Xiao. “On the Institutional Theory of Art from the Perspective of Cultural Sociology.” Theoretical Studies in Literature and Art, 6 (2012): 101-107.]刘东:“比较的风险”,《读书》1(2001):134-141。[Liu, Dong. “The Risk of Comparison.” Du Shu 1 (2001): 134-141.]卢文超:“作为标签的越轨和艺术:从标签理论解读贝克尔的《局外人》与《艺术界》之关联”,《社会》34.2(2014):231-242。[Lu, Wenchao. “Deviance and Art as a Label: An Interpretation of the Relationship Between Howard S. Becker’s Outsiders and Art Worlds from the Labeling Theory.” Chinese Journal of Sociology, 34.2 (2014): 231-242.]卢文超:“社会学和艺术——贝克尔访谈”,《中国学术》2014(34),即刊。[Lu, Wenchao. “Sociology and Art: An Interview with Howard S. Becker.” China Scholarship, 2014 (34), forthcoming.]Maanen, Hansvan. How to Study Art Worlds: On the Social Functioning of Aesthetic Values. Amsterdam: Amsterdam University Press, 2009.艾伦·麦克法兰:《现代世界的诞生》,管可秾译。上海:上海人民出版社,2013。[Macfarlane, Alan. The Birth of the Modern World. Trans. Guan Kenong. Shanghai: Shanghai People's Publishing House, 2013.]彼得·马丁:《音乐与社会学观察:艺术世界与文化产品》,柯扬译。北京:中央音乐学院出版社,2011。[Martin, Peter J. Music and the Sociological Gaze: Art Worlds and Cultural Production. Trans. Ke Yang. Beijing: Central Conservatory of Music Press, 2011.]戴维·斯沃茨:《文化与权力:布尔迪厄的社会学》,陶东风译。上海:上海译文出版社,2012。[Swartz, David. Culture and Power: The Sociology of Pierre Bourdieu. Trans. Tao Dongfeng. Shanghai: Shanghai Translation Publishing House, 2012.]殷曼楟:《“艺术界”理论建构及其现代意义》,北京:社会科学文献出版社,2009。[Yin, Manting. The Construction of the Theory of Artworld and Its Modern Significance. Beijing: Social Science Academic Press, 2009.]Tanner, Jeremy. The Sociology of Art: A Reader. London: Routledge, 2003.Zolberg, Vera. Constructing a Sociology of Arts. Cambridge: Cambridge University Press, 1990.朱国华:“颠倒的经济世界: 文学场的结构”,《天津社会科学》,6(2006):101-106。[Zhu, Guohua. “The Economic World Reversed: The Structure of Literary Field.” Tianjin Social Sciences 6 (2006): 101-06.] |