Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2014, Vol. 34 ›› Issue (4): 128-135.

• Classical Literary Theory and Criticism • Previous Articles     Next Articles

The Transformation of Urban Writing in Modern fictions and Its Significance of Fiction History: With a Focus on Shanghai and Guangzhou

Deng Daqing, Sun Xun   

  1. the School of Urban Culture, South China Normal University (Foshan 528225, China); the College of Liberal Arts, Shanghai Normal University (Shanghai 200234, China)
  • Online:2014-07-25 Published:2014-08-28
  • About author:Deng Daqing, Ph.D, is a lecturer in the School of Urban Culture, South China Normal University (Foshan 528225, China), with research interests focusing on classical Chinese literature. Sun Xun is a professor in the College of Liberal Arts, Shanghai Normal University (Shanghai 200234, China), with research interests covering classical Chinese literature and urban studies.

Abstract: After the forced opening of such cities as Shanghai and Guangzhou for international trade, the traditional modes of culture in these cities were changed. Fiction, as one important literary genre closely associated with urbanity, also underwent transformations in terms of the urban writing in China. In modern Chinese fictions, the space of urban writing was continuously extended, with the descriptive focus shifting from the general coverage of landmark buildings to the detailed exploration of urban life, the protagonists shifting from traditional city dwellers into modern urban citizens, and the narrative form shifting from centering round time to centering round space. These changes in urban writing can be read as the bridge between the ancient to the modern in Chinese urban fictions, and they hold remarkable significance in the transition in the developmental history of Chinese fictions.

Key words: modern fiction, urban writing, transformation, significance in fiction history, Shanghai, Guangzhou