Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2018, Vol. 38 ›› Issue (1): 161-169.

• Issue in Focus: Phenomenological Aesthetics • Previous Articles     Next Articles

The Awakening of Time Consciousness and the Outset of Modern Art: A Phenomenological Interpretation of the Impressionist Painting

Su Hongbin   

  1. the School of Chinese Language and Literature, Zhejiang University
  • Online:2018-01-25 Published:2018-10-19
  • About author:Su Hongbin, Ph.D., is a professor in the School of Chinese Language and Literature, Zhejiang University. His research interests cover literary theory and aesthetic theory.
  • Supported by:
    the Key Project of Social Sciences Foundation of China (17BZW060) 

Abstract: The impressionist painting became the outset of modern art because impressionist painters had grasped the characteristics of modern life: variability. Their pursuit of variability awakened their time consciousness which was later introduced into their paintings by portraying the transient moments of objects as the theme. In order to capture that moment, impressionist painters valued perception but denied memories and imagination for perception could grasp the original impression of the certain instant while memories and imagination could only catch the past and the future in the complete time consciousness. Impressionist painters were preoccupied with the beauty of transience but ignored that of eternity. Therefore, they were replaced by the subsequent modernist painters shortly after they unveiled the history of modern painting.

Key words: impressionism, modernity, time consciousness