A Study of Acoustic Narrative in A dream of Red Mansions

Abstract

Abstract: Acoustic narrative is widely used in A Dream of Red Mansions. It greatly enhances the artistic value of the novel and plays an important role in highlighting the novel's multi-significance. The acoustic narrative in A Dream of Red Mansions promotes the development of the plots, strengthens the characterization, and contributes to improving the poetic significance of the novel. Due attention should be given to the acoustic narrative in reading and studying A Dream of Red Mansions.

Key words: A Dream of Red Mansions, acoustic narrative, plot development, Characterization, significance

Yang Zhiping . A Study of Acoustic Narrative in A dream of Red Mansions[J]. Theoretical Studies in Literature and Art, 2017, 37(1): 180-188.

References

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(1)这方面已有少数先行者,如傅修延先生近年致力于听觉叙事研究,并有《听觉叙事初探》(载于《江西社会科学》2013年第2期)等论著问世,产生了较大影响。
(2)张竹坡的《金瓶梅》“读法”提到:“读《金瓶》,须看其入笋处。[……]六回金莲才热,即借嘲骂处插入玉楼[……]盖其用笔不露痕迹处也。其所以不露痕迹处,总之是用曲笔、逆笔,不肯另起头绪用直笔、顺笔也。”秦修容整理:《金瓶梅会评会校本》(北京:中华书局,1998年),第1493页。李百川《绿野仙踪》评点者在第十七回指出:“作小说,最忌头上安头,必须彼此互相牵引插串而出,方为一线穿成文字。”《绿野仙踪》(北京:中华书局,2001年),第177页。
(3)《金圣叹批评水浒传》,刘一舟校点(济南:齐鲁书社,1991年),第396页。评语针对的小说正文如下:“(阎婆惜)正在楼上自言自语,只听得楼下呀地门响。床上问道:‘是谁?'门前道:‘是我。'床上道:‘我说早哩,押司却不信要去,原来早了又回来。且再和姐姐睡一睡,到夫明再去。'这边也不回话,一径已上楼来。”

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A Study of Acoustic Narrative in A dream of Red Mansions

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