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罗大经:《鹤林玉露》。北京:中华书局,1983年。[Luo,Dajing.Helin Yulu.Beijing:Zhonghua Book Company,1983.] 王楙:《野客丛书》,影印文渊阁《四库全书》本,子部一七零册。[Wang,Mao.Series of Yeke.Copy of Complete Library in Four Branches of Literature,170th Volume of Subsection.] (1)张新科:《史记文学经典化的重要途径——以明代评点为例》,载《文史哲》3(2014):124-32;《论清代的史记文学评论》,载《陕西师范大学学报》1(2016):57-65。 (2)张新科《古文运动奠定史记的文学经典地位》一文对此有详述,可参看。载《中国社会科学报》2014年5月30日B03版。 (3)李少雍:《司马迁传记文学论稿》(重庆:重庆出版社,1987年)一书,对《史记》与唐传奇的关系问题进行了全面而深入的探讨。 (4)关于雕版印刷的起源问题,学界有许多不同的观点,本文依张秀民:《中国印刷术的发明及其影响》(上海:世纪出版集团、上海人民出版社,2009年)的说法。 (5)张玉春:《史记版本研究》(北京:商务印书馆,2001年)对两宋时期的《史记》刻本有细致研究,可参看。 (6)关于欧阳修《新五代史》的传记特征,笔者《褒贬祖〈春秋〉,叙述祖〈史记〉——欧阳修〈新五代史〉传记风格探微》一文有详述,参见《陕西师范大学学报》2(2012):31—40。欧阳修杂传的成就及特点,笔者亦有专文论述,收入刘德清等编:《欧阳修研究》(上海:学林出版社,2008年)。 (7)据赵望秦、蔡丹等《史记与咏史诗》一书所提供的资料统计,宋代60位诗人咏《史记》人物和事件的诗歌有655首,虽然不是最全的资料,但说明《史记》已广泛传播。赵望秦、蔡丹等:《史记与咏史诗》(上)(西安:三秦出版社,2012年)21—26。 |