Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2016, Vol. 36 ›› Issue (4): 94-102.

• Issue in Focus:Studies in Postmodernism and Literature • Previous Articles     Next Articles

Aesthetics of the Sublime and Its Connotations and Properties in Postmodern Literature

Chen Qi, Hu Quansheng   

  1. the English Department, Shanghai Jiao Tong University (Shanghai 200240, China)
  • Online:2016-07-25 Published:2017-09-29
  • About author:Chen Qi is Ph.D. student in the English Department, Shanghai Jiao Tong University (Shanghai 200240, China) and a lecturer in the College English Department, East China Normal University (Shanghai 200241, China), with research focus on literary theory and narratology. Hu Quansheng is a professor in the English Department, Shanghai Jiao Tong University (Shanghai 200240, China), with research interests in literary theory and narratology.

Abstract: This paper explores Kant's classification of aesthetics as the beautiful and the sublime, and with an interpretation of Lyotard's proposition that postmodern aesthetics is the aesthetics of the sublime, it suggests that postmodern sublimity lies mainly in viewing postmodern literature as an art for protest, highlighting how to tell a story instead of what a story is, and regarding the indeterminacy as the primary aesthetic principle as in the slogan of "Vive la difference," and it then achieves strangeness through radical experiment and eclecticism, and derives pleasure by adjusting expectations. The paper argues that postmodern literature, if judged by traditional or Pythagorean aesthetics, shows no beauty as it knows not how to talk about its beauties.

Key words: beauty, aesthetics of the sublime, aesthetic property, postmodern literature, the unpresentable