The Theoretical Reflection on the Problem of Literary Ontology: A Case Study of Qian Zhongwen's Literary Theory: Explorations and Reflections
Qi Zhixiang
Shanghai University of Political Science and Law (Shanghai 201701, China)
Online:2014-07-25
Published:2014-08-28
About author:Qi Zhixiang, Ph.D., is a professor of Shanghai University of Political Science and Law (Shanghai 201701, China), an adjunct research fellow in the Research Centre of Literature & Arts of Beijing Normal University.
Qi Zhixiang. The Theoretical Reflection on the Problem of Literary Ontology: A Case Study of Qian Zhongwen's Literary Theory: Explorations and Reflections[J]. Theoretical Studies in Literature and Art, 2014, 34(4): 78-84.
齐安·亚菲塔:“西方现代艺术:失去范式的文化误区”,《学术月刊》9(2009):102—105。[Avital, Tsion. “Western Modern Art: Cultural Myth of a Lost Paradigm.” Journal of Academic 9 (2009):102-05.]赖大仁:“当代文论研究:反思、调整与深化”,《文艺理论研究》3(2013):15-23。[Lai, Daren. “Contemporary Literary Researches: Reflections, Adjustments and Deepening.” Literary Theory Research 3 (2013):15-23.]李西建:“解构之后:重审当代文艺学的本体论问题”,《陕西师范大学学报》1(2009):47-52。[Li, Xijian. “After Deconstruction: Re-Examining the Issue of Contemporary Literary Ontology.” Journal of Shaanxi Normal University 1 (2009): 47-52.]钱中文:“论人性共同形态描写及其评价问题”,《文学评论》6(1982):82-93。 [Qian, Zhongwn. “On the Description of Human Common Nature and Its Evaluation.” Literary Review 6 (1982): 82-93.]——:《文学理论:求索与反思》。北京:中国社会科学出版社,2013年。[- - -. On Literary Theory: Explorations and Reflections. Beijing: China Social Sciences Press, 2013.]——:“论文学观念的系统性”,《文艺研究》6(1987):13-30。[- - -. “On the Systemization of Literary Ideas.” The Study of Literature 6 (1987):13-30.]——:“最具体的和最主观的是最丰富的”,《文艺理论研究》4(1986):7-23。[- - -. “The Most Concrete and Subjective is the Most Abundant.” Literary Theory Research 4 (1986):7-23.]——:《新理性精神文学论》。武汉:华中师范大学出版社,2000年。[- - -. The Neo-Rational Spirit of Literary Theory. Wuhan: Central China Normal University Press, 2000.]——:“文艺理论的发展和方法更新的迫切性”,《文学评论》6(1984):9-12。 [- - -. “The Urgency of Methodological Updating and Development of Literary Theory.” The Literature Review 6 (1984): 9-12.]祁志祥:《中国现当代人学史》。上海:学林出版社,2006年。[Qi, Zhixiang. The History of Chinese Modern and Contemporary Humanism. Shanghai: Xuelin Press, 2006.]陶东风:“文学理论:建构主义还是本质主义?”,《文艺争鸣》7(2009):12-23。[Tao, Dongfeng. “Literary Theory: Constructivism or Essentialism? ” Literary Theoretical Debate 7 (2009):12-23.]丹托:《艺术的终结之后》,王春辰译。南京:江苏人民出版社,2007年。[Danto, Arthur. After the End of Art. Trans. Wang Chunchen. Nanjing: Jiangsu People’s Publishing House, 2007. ]——:《艺术的终结》,欧阳英译。南京:江苏人民出版社,2001年。[- - -. The End of Art. Trans. Ouyang Ying. Nanjing: Jiangsu People’s Publishing House, 2001. ]童庆炳:“反本质主义与当代文学理论建设”,《文艺争鸣》7(2009):6-11。[Tong, Qingbing. “Anti-Essentialism and the Construction of Contemporary Literary Theory.” Literary Schools of Thought Contend 7 (2009):6-11.]张玉能 张弓:“解构主义文论与中国当代文论建设”,《江西社会科学》9(2008):106-15。[Zhang, Yuneng, and Zhang Gong. “Deconstructive Literary Theory and the Construction of Contemporary Chinese Literary Theory.” Jiangxi Social Science 9 (2008):106-15.]