Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2014, Vol. 34 ›› Issue (4): 136-145.

• Classical Literary Theory and Criticism • Previous Articles     Next Articles

On Cao Xueqin's Idea of Stylistics with Reference to the Stylistic Value of Zhiyanzhai Annotated Dream of Red Mansions

Ren Jingze   

  1. the Department of Chinese Language and Literature, Shaanxi Normal University (Xi'an 710062, China)
  • Online:2014-07-25 Published:2014-08-28
  • About author:Ren Jingze is an associate professor in the Department of Chinese Language and Literature, Shaanxi Normal University (Xi'an 710062, China), with research interests in ancient Chinese literary theory, focusing on the study of ancient Chinese stylistics. Email: laorenyuhai0007@126.com

Abstract: Cao Xueqin's idea of stylistics is systematic and can be understood in four main ways. The first is analyzing and complying with style. This shows in the two ways to differentiate the style of each literary work and each author. The second is appropriate and inappropriate style. This pair of concepts has rich implications and may be considered as a heritance from Cao Pi's theory of stylistics in the pre-Qin period. The third is the breaking and transforming of style, which shows in the stylistic innovation in such texts as "A Eulogy for the Lotus Girl." The fourth is the tradition and constraints of style. Cao Xueqin advocated a new writing norm that would break the traditional style of fictions, and this concept of stylistics had been repeatedly highlighted as unconventional in the Zhiyanzhai annotated version. The many annotations and comments on stylistics in the Zhiyanzhai version complemented and exemplified Cao Xueqin’s idea of stylistics.

Key words: differentiation of style, breaking of style, appropriate style, Cao Xueqin, Zhiyanzhai, idea of stylistics