Contemporary Russian Literature and Art Policy and Ideology Reconstruction Against the Revival of Orthodox Church

Abstract

Abstract: The literature and art policy in Putin's era epitomizes the "New Russian Idea" in the ideological field. To fill the ideological vacuum in the USSR, especially the Yeltsin era, the Russian government passed legislation on laws, education and diplomacy to introduce Orthodox Church into the reconstruction of national ideology. Through the core values of the Orthodox Church implanted into Russian literature and arts such as empire worship, eschatological salvation, community sense, etc, the policy of literature and art in the Putin government has performed important role in integrating societal thought, boosting the national spirit, curbing moral degradation, promoting national identity and strengthening cultural soft power.

Key words: Russia, the literature and art policy, the Orthodox Church, ideology

Tian Gangjian. Contemporary Russian Literature and Art Policy and Ideology Reconstruction Against the Revival of Orthodox Church[J]. Theoretical Studies in Literature and Art, 2014, 34(3): 116-123.

References

贝文力：《转型时期的俄罗斯文化艺术》。上海：上海人民出版社，2012年。
[Bei, Wenli. Russian Culture and Art During Transition Period. Shanghai: Shanghai People’s Publishing House, 2012.]
尼·别尔嘉耶夫：《俄罗斯思想》，雷永生、邱守娟译。北京：三联书店，1995年。
[Berdyaev, Nicolai. The Russian Idea. Trans. Lei Yongsheng and Qiu Shoujuan. Beijing: SDX Joint Publishing Company, 1995.]
陈树林：“俄国现代化文化阻力的文化哲学反思”，《俄罗斯学刊》1（2011）：69-70。
[Chen, Shulin. “Cultural Philosophical Reflection on the Russian Modernization of Culture.” Academic Journal of Russian Studies 1 (2011): 69-70.]
陀思妥耶夫斯基：《少年》，岳麟译。上海：上海译文出版社，1985年。
[Dostoevsky, Fiódor. Youth. Trans. Yue Lin. Shanghai: Shanghai Translation Publishing House, 1985.]
涂尔干：《宗教生活的基本形式》，渠东、汲喆译。上海：上海人民出版社，1999年。
[Durkheim, Emile. The Elementary Forms of the Religious Life. Trans. Qu Dong and Ji Zhe. Shanghai: Shanghai People’ s Publishing House, 1999.]
冯绍雷相蓝欣：《转型中的俄罗斯社会与文化》。上海：上海人民出版社，2005年。
[Feng, Shaolei, and Xiang Lanxin. Russian Society and Culture in Transition. Shanghai: Shanghai People’ s Publishing House, 2005.]
Frye, Northrop. The Selected Poetry and Prose of Williams Blake. New York: Landing Press, 1953.
果戈理：《塔拉斯•布尔巴》，石国雄译。桂林：漓江出版社，1994年。
[Gogol, Nikolai V. Taras Bulba. Trans. Shi Guoxiong. Guilin: Lijiang Publishing House, 1994.]
Тенекчиян Артур Арутович．“Социально-философский анализ Развития Идеологии В России” July 2013．< http://teoria-practica.ru/ru/2-2005.html >
雷永生：“宗教沃土上的民族精神——东正教与俄罗斯精神之关系探略”，《中国青年政治学院学报》1（1998）：55。
[Lei, Yongsheng. “National Spirit in the Fertile Soil of Religion: The Relationship Between the Russian Orthodox Church and the Russian Spirit.” China Youth College for Political Sciences 1 (1998): 55.]
李景阳：“俄罗斯改革的文化困境”，《东欧中亚研究》6 (2000) ：1-2。
[Li, Jingyang. “Cultural Dilemma of Reform in Russia.” Eastern European and Central Asian Studies 6 (2000) : 1-2.]
李雅君：“东正教文化与俄罗斯教育”，《外国教育研究》2（2009）：8。
[Li, Yajun. “The Orthodox Church Culture and Russian Education.” Foreign Education Studies 2 (2009): 8.]
林精华：“无处不在的身影——东正教介入俄罗斯社会政治生活试析”，《俄罗斯研究》5（2010）：121。
[Lin, Jinghua. “Ubiquitous Presence: An Investigation into the Orthodox Church’s Involvement into Russian Social and Political Life.” Russia Studies 5 (2010): 121.]
刘超：“当代俄罗斯东正教文化教育发展状况论析”，《世界宗教文化》6（2012）：69。
[Liu, Chao. “A Survey of Contemporary Russian Orthodox Cultural Education Development.” World Religious Culture 6 (2012): 69.］
洛斯基：《俄罗斯哲学史》，贾泽林译。杭州：浙江人民出版社，1999年。
[Lossky, N. O. A History of Russian Philosophy. Trans. Jia Zelin. Hangzhou: Zhejiang People’ s Publishing House, 1999.］
Епископ Зарайский Меркурий．“Довгий Т. П. Государственно-церковное сотрудничество на федеральном и региональном уровнях в реализации эксперимента по преподаванию учебного курса «Основы православной культуры»” Педагогика 1 (2011): 37.
普京：《普京文集2000-2002》，中国社会科学院俄罗斯东欧中亚研究所编。北京：中国社会科学出版社，2002年。
[Putin, Vladimir V. An Anthology of Putin, 2000-2002. Eds. Institute of Eastern Europe, Central Asia and Russia, Chinese Academy of Social Sciences. Beijing: China Social Sciences Press, 2002.]
——：《普京文集2002-2008》，中国社会科学院俄罗斯东欧中亚研究所编。北京：中国社会科学出版社，2008年。
[---. An Anthology of Putin, 2002-2008. Eds. Institute of Eastern Europe, Central Asia and Russia, Chinese Academy of Social Sciences. Beijing: China Social Sciences Press, 2008.]
Путин, B. “Диалог президента с народом.” Народное Образование 2 (2007): 7.
王春英：“建构中的俄罗斯新意识形态”，《俄罗斯中亚东欧研究》5（2010）：11。
[Wang, Chunying. “Russian New Russian Ideology in Construction.” Russian, Central Asian & East European Studies 5 (2010): 11.］
汪宁：“重回后苏联空间——俄罗斯文化战略评析”，《俄罗斯中亚东欧研究》3（2012）：75。
[Wang, Ning. “A Return to Post-Soviet Space: Strategy of Russian Culture.” Russian, Central Asian & East European Studies 3 (2012): 75.]
许华：“当今俄罗斯的国家形象问题”，《俄罗斯中亚东欧研究》2（2008）：12。
[Xu, Hua. “Contemporary Russia’ s National Image.” Russian, Central Asian & East European Studies 2 (2008): 12.］
А. Ефимов, Очерки по истории миссионерства русской православной церкви. М. : ПСТГУ, 2007.
乐峰：《东正教史》。北京：中国社会科学出版社，2005年。
[Yue, Feng. The History of the Orthodox Church. Beijing: China Social Sciences Press, 2005.］
张百春：《当代东正教神学思想》。上海：上海三联书店，2000年。
[Zhang, Baichun. Contemporary Eastern Orthodox Theology. Shanghai: Shanghai SDX Joint Publishing Company, 2000.]

[1]	Tang Li. The Aesthetics and Ideology of Literature: A Discussion Focused on the Concept of Aesthetic Ideology in Contemporary Western Literary Theory [J]. Theoretical Studies in Literature and Art, 2020, 40(4): 195-205.
[2]	Huo Ju. Distanciation and Artistic Practice: How the Concept of Masses Was Constructed in Althusser's Literary Criticism [J]. Theoretical Studies in Literature and Art, 2020, 40(3): 201-209.
[3]	Josef Gregory Mahoney. Culture Industry and Mass Deception: Critical Perspectives on Contemporary Concerns about Soft Power in China [J]. Theoretical Studies in Literature and Art, 2020, 40(1): 146-155.
[4]	Wang Que. From Literary Subjectivity to Intersubjectivity and Aesthetic Ideology: Contemporary Chinese Literary Theory's Reconstruction of the May Fourth Tradition in the Recent Four Decades [J]. Theoretical Studies in Literature and Art, 2019, 39(3): 59-.
[5]	Xiong Xiao . Criticism, Rebellion and Adaptation: Multi-dimensional Construction of Discourse of Remarks and Interpretation on Amorous Poems [J]. Theoretical Studies in Literature and Art, 2017, 37(6): 90-103.
[6]	Fan Yongkang, Liu Fengjie. The Aesthetic Ideology of Post-Marxism [J]. Theoretical Studies in Literature and Art, 2017, 37(1): 134-142.
[7]	Liu Xin. Ideology in Narrative and the Surpass of It: A Discussion Based on Ricoeur's Lectures on Ideology and Utopia [J]. Theoretical Studies in Literature and Art, 2015, 35(6): 192-200.
[8]	Chen Jun. New Changes and Redemption: On the Russian Formalism's Genre Theory [J]. Theoretical Studies in Literature and Art, 2015, 35(3): 139-145.
[9]	Yang Jian'gang. Marxism's Assimilation with and Borrowing from Formalism in Fredric Jameson's Literary Criticism [J]. Theoretical Studies in Literature and Art, 2015, 35(1): 196-204.
[10]	Lao Chengwan, Lan Guoqiao. Wang Yuanhua's Concept of Ideology-Academics as Social Remedy and Its Implications to Intellectual History [J]. Theoretical Studies in Literature and Art, 2014, 34(4): 60-71.
[11]	Mai Hailiang. The Cultural Theme in Terry Eagleton's Critical Theory [J]. Theoretical Studies in Literature and Art, 2014, 34(2): 113-122.
[12]	Li Yanfeng. Cultural Turn and the Legitimacy of the Theory of Contemporary Chinese Aesthetic Ideology [J]. Theoretical Studies in Literature and Art, 2013, 33(5): 148-155.
[13]	He Weihua. Raymond Williams and His Contrapuntal Reading of Literary Representations [J]. Theoretical Studies in Literature and Art, 2012, 32(4): 131-137.
[14]	Shen Yubing. Politics or Aesthetics? —— T. J. Clark's View of Social History of Art [J]. Theoretical Studies in Literature and Art, 2012, 32(3): 12-16.