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文艺理论研究

文艺理论研究 ›› 2014, Vol. 34 ›› Issue (5): 35-40.

• 专题：物与艺术 • 上一篇    下一篇

如何理解装置艺术？——以“剧场性”为核心

张郑波   

  1. 四川大学文学与新闻学院
  • 出版日期:2014-09-25 发布日期:2014-10-09
  • 作者简介:张郑波，四川大学文学与新闻学院艺术学博士研究生，主要从事艺术学理论、艺术生产与文化产业的研究。

How to Understand Installation Art: with a Focus on Theatricality

Zhang Zhengbo   

  1. the College of Literature and Journalism, Sichuan University (Chengdu 610064, China)
  • Online:2014-09-25 Published:2014-10-09
  • About author:Zhang Zhengbo is a Ph.D. student in the College of Literature and Journalism, Sichuan University (Chengdu 610064, China), with research focus on art theory and cultural industries.

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摘要： 本文力图解析丹托、格林伯格、弗雷德对装置艺术理论作出的积极贡献，并澄清他们各自存在的误解和视野偏差。结合草间弥生、徐冰等当代先锋艺术家的作品，分析装置艺术的媒介材质、色泽、明暗、肌理、形状、图案、三维空间所呈现的“剧场性”效果，进一步论证装置艺术所呈现的物感对于克服现代性危机所具有的价值和意义。

关键词: 装置艺术, 物感, 剧场性, 现代性

Abstract: This paper seeks to analyze the positive contribution that Arthur Danto, Greenberg, Michael Fried have made for installation art theory, while clarifying their respective misunderstanding and vision deviation. The paper will take the example of contemporary artists like Yayoi Kusama and Xu Bing and analyze the theatricality effect produced by the medium material, color, shading, texture, shape, pattern and three-dimensional space in the installation art, and the paper then tries to formulate how the sense of objects produced through installation art may function to overcome the crisis of modernity.

Key words: installation art, the sense of objects, theatricality, modernity