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文艺理论研究 ›› 2022, Vol. 42 ›› Issue (6): 174-183.

• 古代文论与古代文学的理论研究 • 上一篇    下一篇

陈洵释梦窗词之结构论及其词史意义

黑白   

  1. 中山大学博雅学院
  • 出版日期:2022-11-25 发布日期:2023-01-03
  • 作者简介:黑白,文学博士,中山大学博雅学院博士后,主要从事近现代文学与文学理论研究。

Chen Xun‘s Explanation of the Structure of Wu Wenying’s Ci-poetry and Its Significance in the History of Ci-poetry

Hei Bai   

  1. Boya (Liberal Arts) College of Sun Yat-sen University
  • Online:2022-11-25 Published:2023-01-03
  • About author:Hei Bai, Ph.D., is a post-doctorate researcher in the Boya (Liberal Arts) College of Sun Yat-sen University. Her research interests include modern Chinese literature and literary theory.

摘要: “词体结构论”的提出始自20世纪90年代,吴世昌被塑造成这一理论范式的主要来源。实际上,“词体结构论”并非一二人所独创,而是以潜流形态存在于漫长的词史之中。其中,陈洵的《海绡说词》有着不容忽视的重要意义,其以精深的文本细读之功,将“留”“逆”“钩勒”等术语纳入阐释体系,对梦窗词进行了颇具规模的结构化分析,显露出一个“词体结构论”的范式雏形。就其对梦窗词的阐释而言,主要内涵有二:一是词体空间结构中意脉的隐显与层进;二是时间结构之穿插、伸缩、承转及情感质素在其中的“绵延”。沿此路径,《海绡说词》更是推诸周邦彦、辛弃疾词评,初步形成一个颇具普遍意义的理论架构,推动了从印象式点评到结构化分析的范式转移,以及词学批评学的现代发生。

关键词: 陈洵; , 梦窗词; , 词体结构论; , 范式转移; , 现代词学批评学

Abstract:  The “structure of ci-poetry” was raised in the 1990s, and Wu Shichang was established as the main initiator of this theoretical paradigm. In fact, the “structure of ci-poetry” was not the creation of any single individual, but had its origins in the long history of ci-poetry. Among them, the importance of Chen Xun's Remarks on Ci-poetry cannot be ignored. Through close reading, Chen's work incorporated theoretical terms into its interpreting system and provided large-scale structural analyses of Wu Wenying's ci-poetry, embodying a prototype of the paradigm of “structure of ci-poetry”. Its interpretation of Wu Wenying's ci-poetry had two connotations: the concealment and progression of meaning in the spatial structure of ci-poetry, and the interlude, expansion and contraction of the temporal structure with the extension of emotional quality in it. Adopting this approach, Chen Xun's Remarks on Ci-poetry extended its analyses to the criticism of Zhou Bangyan's and Xin Qiji's ci-poetry, forming a preliminary yet general theoretical structure that promoted the paradigm shift from impressionistic comment to structural analysis and the modern occurrence of ci-poetry criticism.

Key words:  Chen Xun; , Wu Wenying's ci-poetry; , structure of ci-poetry; , paradigm shift; , modern criticism of ci-poetry