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文艺理论研究 ›› 2022, Vol. 42 ›› Issue (6): 101-111.

• 西方文论研究 • 上一篇    下一篇

故事世界的兴起:构筑技艺与复魅文化

施畅   

  1. 暨南大学新闻与传播学院
  • 出版日期:2022-11-25 发布日期:2023-01-03
  • 作者简介:施畅,文学博士,暨南大学新闻与传播学院副教授,主要从事跨媒介叙事研究。
  • 基金资助:
    本文系暨南大学中华文化港澳台及海外传承传播协同创新中心课题“共同体美学视域下中国电影全球文化竞争力研究”[项目编号:JNXT2021002]阶段性成果。

The Rise of Storyworlds: World-Building and the Re-enchanting Culture

Shi Chang   

  1. School of Journalism & Communication, Jinan University
  • Online:2022-11-25 Published:2023-01-03
  • About author:Shi Chang, Ph.D., is an associate professor in the School of Journalism & Communication, Jinan University. His area of academic specialty is transmedia storytelling.
  • Supported by:
     This article is supported by the Project of the Collaborative Innovation Center for the Inheritance and Promotion of Chinese Culture in Hong Kong, Macau, Taiwan, and Overseas, Jinan University (JNXT2021002).

摘要: 在跨媒介叙事浪潮之下,叙事正日益成为一种构筑世界的艺术。故事世界是由叙事唤起的、具有可扩展性的幻想世界。故事世界的构筑技艺在于精密创建,持续扩展,同时保持前后相续的一致性。故事世界的创建通常遵循“幻想现实主义”,包含悠久的过去、迫近的事件及共享的价值规范。故事世界的扩展体现为人物视点转换、地图铺展、世代更替这三款“探照灯”对未知世界的持续探照。故事世界盛行的背后是“复魅”文化的兴起,即对现代祛魅社会的不满与对幻想重临世界的热望。“复魅”意味着一个动荡不安的幻想世界,有迫近的威胁,有即刻的使命,故事世界的参与者们借此逃离日常秩序并重拾意义、收获认同。

关键词: 故事世界; , 跨媒介叙事; , 世界构筑; , 幻想重临; , 复魅

Abstract:  As transmedia storytelling prevails, narrative gradually becomes an art of world-building. A storyworld is an expandable fantasy world aroused by narration. The construction of a storyworld involves precise creation, continuous expansion, and narrative coherence. A storyworld, following the principle of “fantastic realism,” normally consists of a long history, current events, and shared values. Such a world unfolds thanks to the shift of the characters' point of view, the expansion of the space, and the generational developments, three devices used in the narrative like three “searchlights” in the exploration of an unknown world. The popularization of the storyworld is underlined by the rise of a “re-enchanting” world as a result of the dissatisfaction with the society of “disenchantment” and the desire for the resurgence of fantasy. With imminent threats and pressing missions, “re-enchantment” suggests a turbulent and imaginary world, where the participants of the re-enchanting storyworlds manage to escape from the daily life, search for meaning, and establish a sense of identity.

Key words: storyworlds; , transmedia storytelling; , world-building; , the resurgence of fantasy; , re-enchantment