关键词:

民国散曲, 民族诗歌, 卢前, 乐府, 新诗

Abstract:

Since the May 4th Movement, in addition to new vernacular poetry modelled on foreign poetry, another group of scholars represented by Lu Qian actively explored the new forms of Chinese national poetry from the reality of protecting classical music and literature. Lu Qian found a different way in his exploration of “popularization” and “localization” of literature and transforming the classical concept of folk rhymes in the spirit of Music Bureau poetry to the modern ideal of new poetry. He thus created non-dramatic qu-poetry, originally a type of “song of poetry” and made it the new vocal poetry of the Chinese nation. In this sense, he moved from the theory of “qu-poetry in the Republic Era” to the musical transformation and “nationalizing” creation of non-dramatic qu-poetry. The non-dramatic qu-poetry of the Republic Era was also rooted in the rich and diverse life of the people, and expressed the multiple connotations recognized by the national tradition and national reality in the historical process.

Key words:

non-dramatic qu-poetry in the Republic, national poetry, Lu Qian, folk rhymes, new poetry