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文艺理论研究 ›› 2022, Vol. 42 ›› Issue (5): 139-149.

• 现当代文论研究 • 上一篇    下一篇

网络文学叙事机制下的“后情感”表征及心理症候

 王婉波   

  1. 河南工业大学新闻与传播学院

  • 出版日期:2022-09-25 发布日期:2022-09-25
  • 作者简介:Wang Wanbo, Ph.D., is a lecturer in the School of Journalism and Communications at Henan University of Technology. Her research interests include modern and contemporary Chinese literature, Internet literature, and Internet culture.
  • 基金资助:

    本文系国家社科基金重大项目“中国网络文学评价体系建构研究”[项目编号:18ZDA283]、河南省高校人文社会科学研究一般项目“媒介视域下河南网络文学发展机制及问题研究”[项目编号:2022-ZZJH-568]的阶段性成果。

Postemotional Representations and Psychological Symptoms in the Narrative Mechanism of Internet Literature

Wang Wanbo   

  1. School of Journalism and Communications at Henan University of Technology

  • Online:2022-09-25 Published:2022-09-25
  • About author:Wang Wanbo, Ph.D., is a lecturer in the School of Journalism and Communications at Henan University of Technology. Her research interests include modern and contemporary Chinese literature, Internet literature, and Internet culture.
  • Supported by:

    This article is supported by the Major Project of National Social Sciences Fund of China (18ZDA283) and the Humanities and Social Sciences Fund of Henan Higher Education Institute (2022-ZZJH-568). 

摘要:

情感主义从20世纪80年代中后期便开始遭遇一连串震荡,这种震荡延续到网络文学创作时期。早期调侃、戏谑、质疑式的书写拉开了网络文学后情感主义潮流的闸门;修仙、玄幻等小说以奇幻式情感书写取胜;众类型小说把情感“从高雅层面推向日常生活”;系统文、二次元小说等借助ACGN文化、游戏现实主义创造了新的情感模式,以升级模式代替深度模式,并在“数据库写作”影响下逐渐脱离“宏大叙事”。快感机制、视觉效果、祛魅书写也成为商业模式下网络文学情感书写的新路径。“有爱的粉丝经济学”主导下的读者自主理解取代了对作者情感的体验与考察。弗雷德里克·詹明信(Fredric R. Jameson)关于情感已经被商品化的后现代主义阐释的影响也日渐深远,网络文学逐渐被充满消费文化色彩的后情感主义包裹,这种多样叙事机制下生成的“后情感”表征背后隐藏着复杂的深层文化心理与情感疗慰,彰显着创作群体与阅读群体的情欲追求与精神内蕴,展现了网络文学的独特魅力。

关键词:

网络文学; , 叙事机制; , 后情感; , 心理症候

Abstract:

Emotionalism has undergone a series of transformations since the late 1980s until the rise of Internet literature. Such writing techniques as teasing, joking, and skepticism unfold the trend of postemotionalism in Internet literature. Fictional writings such as the journey to immortality and fantasy novels are particularly engaged with fantastic emotions. Fictions of popular genres on the internet moves emotions from the dignified and elegant to the ordinary and the everyday. System novels and ACGN novels employ ACGN culture and game realism to create new patterns of emotions, that is, the pursuit of emotional depth is replaced with the upgrading of characters in the system. As a result, writing increasingly deviates from the metanarrative under the influence of “database writing.” Mechanisms of pleasure, visual effect and disenchanting writing become new approaches to creating emotions in Internet literature under the business mode. Readers’ autonomous interpretation is governed by “fan economy” and replaces the exploration and experience of the author’s emotion. Fredric Jameson’s postmodernist explanation of emotional commercialization has further impact on Internet literature, a literature that is permeated with postemontionalism characterized by consumer culture. The cultural psychology and emotional comfort underlying postemotional representations reflect the erotic desire and spiritual undertones of both the authors and the readers, and contribute to the unique charm of Internet literature.

Key words:

Internet literature, narrative mechanism, postemotion, psychological symptoms