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文艺理论研究 ›› 2022, Vol. 42 ›› Issue (5): 112-121.

• 西方文论研究 • 上一篇    下一篇

指示与元叙述:真人真事改编电影的双层叙述

赵禹平   

  1. 四川大学符号学-传媒学研究所

  • 出版日期:2022-09-25 发布日期:2022-09-25
  • 作者简介:赵禹平,艺术学博士,四川大学符号学-传媒学研究所助理研究员,主要从事电影符号学与叙述学研究。
  • 基金资助:

    本文系中国博士后科学基金面上资助项目“当代中国‘真实事件改编’电影叙事的述真问题研究” [项目编号:2022M712281]、国家社科基金重大项目“当代艺术提出的重要美学问题研究”[项目编号:20&ZD049]阶段性成果。

Denotation and Meta-Narratives: Double-Layered Narrative of Films Based on Real Stories

Zhao Yuping   

  1. Institute of Semiotics & Media Studies, Sichuan University

  • Online:2022-09-25 Published:2022-09-25
  • About author:Zhao Yuping, Ph.D., is a research assistant in the Institute of Semiotics & Media Studies, Sichuan University, with research focus on film semiotics and narratology.
  • Supported by:

    This article is supported by the China Postdoctoral Science (2022M712281) and the Key Project of National Social Sciences Fund (20&ZD049).

摘要:

在电影中重构真实事件几乎与电影一样古老。关于真人真事改编电影的研究涉及甚广,如对纪实和虚构的讨论,以及剧情片、新闻之间的界限问题,颇受学者重视。真人真事改编电影不同于其他体裁电影的最大特点正在于,真人真事改编电影形成了指示意义世界;它既在构建故事又在表达事实,即在解释事件的同时又在回溯事件的意义。真人真事改编电影中存在一个元层次,将事件解释且成为故事,而事件是元叙述层的基础层。真人真事改编电影的指示意义世界通过元解释对意义的凸显,来召唤对真人真事基础层的关注。本文从符号学的角度切入真人真事改编电影,以指示和元叙述的角度来分析真人真事改编电影的双层叙述特征,探析这个古老的电影体裁如何在呈现事件的同时塑造意义。

关键词:

指示意义, 元叙述, 真人真事改编电影, 双层叙述, 符号学

Abstract:

Reconstructing real events in film is almost as old as filmmaking itself. Films based on real stories have received considerable scholarly attention, which engages a wide variety of inquiries including the question of non-fictionality and fictionality and the boundary between feature films and news. The most remarkable characteristic of real-story-based films is that they form a world of denotation, which at once constructs stories and presents facts, depicting the events while interpreting their meanings at the same time. Those films have a dimension on the meta-level, in which events—the basis of the meta-narrative—are interpreted and turned into stories. The denoted world of these films highlights the meaning through meta-interpretation, calling attention to the real life on its basic level. Such double-layered narrative of films based on real stories is investigated from a semiotic perspective in this article. It explores, through analysis of their denotation and meta-narrative, the ways in which films based on real stories simultaneously present and shape the meaning of events. 

Key words:

denotation, meta-narrative, films based on real stories, double-layered narrative, semiotics