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文艺理论研究

文艺理论研究 ›› 2022, Vol. 42 ›› Issue (5): 82-90.

• 西方文论研究 • 上一篇    下一篇

浮士德的三次试验与基特勒论话语系统1800的诞生

于成   

  1. 青岛大学文学与新闻传播学院

  • 出版日期:2022-09-25 发布日期:2022-09-25
  • 作者简介:于成，文学博士，青岛大学文学与新闻传播学院副教授，主要从事媒介哲学研究。
  • 基金资助:

    本文为国家社科基金青年项目“20世纪80年代以来的德国媒介哲学研究”[项目编号：19CXW014]的阶段性成果。

Faust’s Three Experiments and the Birth of Friedrich Kittler’s Interpretation of Discourse Network 1800

Yu Cheng   

  1. School of Literature and Journalism, Qingdao University

  • Online:2022-09-25 Published:2022-09-25
  • About author: Yu Cheng, Ph.D., is an associate professor at the School of Literature and Journalism, Qingdao University. His research interest is media philosophy.
  • Supported by:

    This article is supported by the Youth Project of National Social Science Fund (19CXW014).

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摘要：

《浮士德》是进入基特勒所谓话语系统1800的关键渠道。浮士德的三次试验无意识地呈现了新话语系统的诞生过程：谋求从故纸堆的无限循环中摆脱，通过解读、翻译试验将心灵/精神奠定为自由翻译的基础，从而奠定一种新的话语之源及话语规则。从心灵/精神流出的最小意义元素，构成了新话语系统发生的先决条件。基特勒把文学视作维系既定读写实践的话语渠道，把福柯式的话语分析改写为文化技艺分析，意在凸显读写技艺的细节变化在话语系统转型中起到的基础性作用。

关键词:

浮士德, 基特勒, 福柯, 话语系统, 文化技艺

Abstract:

Faust is a key channel into what Friedrich Kittler refers to as the “discourse network 1800”. Faust’s three experiments unwittingly present the process of the birth of a new discourse network: seeking to be freed from the infinite cycle of historical materials, setting the mind or spirit as the foundation for free translation through interpretation and translation experiments, and establishing new sources and rules of discourses. The minimal elements of meaning that derive from the mind or spirit constitute the prerequisite for a new discourse network. Regarding literature as a discourse channel that maintains the established practice of writing and reading as well as rewriting Michel Foucault’s analysis of discourse into an analysis of cultural techniques, Kittler reminds us of the significant role of changes in the details of cultural techniques in the process of the transformation of discourse networks.

Key words:

Faust, Friedrich Kittler, Michel Foucault, discourse network, cultural techniques