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文艺理论研究 ›› 2021, Vol. 41 ›› Issue (5): 144-156.

• 专题:数字与文学研究 • 上一篇    下一篇

论VR绘画空间中的身心合一机制——基于梅洛-庞蒂的空间现象学研究

苏昕   

  1. 中国科学技术大学人文与社会科学学院
  • 出版日期:2021-09-25 发布日期:2021-09-26
  • 作者简介:苏昕,中国科学技术大学人文与社会科学学院科技哲学专业在读博士生,主要从事技术哲学,STS研究。

On the Unity of Body and Mind in VR Painting Space: A Study of Spatial Phenomenology from the Perspective of Maurice Merleau-Ponty

Su Xin   

  1. School of Humanities and Social Sciences, University of Science and Technology of China
  • Online:2021-09-25 Published:2021-09-26
  • About author:Su Xin is a Ph.D. candidate at the School of Humanities and Social Sciences, University of Science and Technology of China. Her research interests include philosophy of technology and STS.

摘要:

在身体为图形-背景的知觉场中,本文以身体空间这一处境的空间为基点,将虚拟空间纳入身体空间,不断拓宽知觉的触角,并引用了梅洛-庞蒂后期的关于侵越的概念,将身体空间和虚拟现实空间描述为互相交织、互相影响的关系,两者呈现互相侵越的态势。虚拟现实绘画的创作者通过意向性的创作活动产生意义,虚拟现实绘画体验丰富了身体图式的结构,突破了关于虚拟空间是真实还是虚假的二元论定义,破除了虚拟空间中身心分离的谜题。

关键词:

VR绘画, 身体空间, 虚拟现实空间, 梅洛-庞蒂

Abstract:

In the perceptual field where the body is taken as the figure-background, this article takes body space as foundation and incorporates virtual space into body space, in order to widen the range of perception. Drawing on Maurice Merleau-Ponty’s concept of invasion, this article describes the relationship between the body space and the virtual reality space as intertwining, mutually influencing, and collectively presenting a state of mutual invasion. The creators of VR painting produce meaning through intentional creative activities. In this sense, VR painting experiences enrich the structure of body schemas, breaking the dualistic definition of virtual space as either real or false, and dispelling the myth of body-mind distinction in virtual space.

Key words:

VR painting, body space, virtual reality space, Maurice Merleau-Ponty